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| 3/28/2011 10:23:09 AM |
Super Fly Space City Disco PimPn!-Houston, TX |
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edward60tpi
Humble, TX
age: 36
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4/2/2011 9:00 PM
The Rabbit Hole
10902 Kingspoint
Houston, TX 77075
(see on a map)
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SUPER FLY SPACE CITY DISCO PIMPN!! OUR SPRING BLACKLIGHT DISCO SERIES KICK OFF!!
http://i208.photobucket.com/albums/bb105/ericneuge/PimpAA-1.png
http://i208.photobucket.com/albums/bb105/ericneuge/pimpBB.png
04/02/11
MASSIVE UV Dance party!
...SDC is bringin the SDC Sound System!
Lighting and lazers By Revolutions!
17+ / 10$ presale / 15$ @ the door FUNDS RAISED COVERS TALENT AND EXPENSES WE DO THIS FOR THE LOVE!
Stage 1
9-9:45 Disco Pimp
9:45-10:30 Twink Dogg
10:30-11:15 DJ El Nino
11:15-12 Damon Allen
12-12:20 Mad Turtle
12:20-1:20 Boogie Monster
1:20-2:20 Beyond Zero vs. Courtney Shay
2:20-3:20 Super Dave vs. Trebble Hook
3:20-4:20 Matty Pimp of Revolutions
Stage 2
9-10 Wynnde + Spyr@l (tag set)
10-11 BassFX (Paul James + Hanz-D)
11-11:45 Alibi
11:45-12:30 Adam Hi-tone
12:30-1:15 Jason Alan
1:15-2 Lucki Junglette
2-2:45 J.ODDIO
2:45-3:30 Steven Lawrence
Room 3/ V.I.P. Area
T.B.A.
OUR HEADLINER!!!
Boogie Monster
Chuck Winston, professionally known as ‘BoogieMonster’, has steadily made a name for himself throughout Texas. His funky, banging house sets have rocked the dance floor in Austin, Dallas and Houston for the past 10 years. An implant from the East Coast (Washington, DC), Boogie has been in the dance music scene for just about fifteen years now. He has been spinning for the past 10 years but only recently come into his own.
Throughout Boogie’s life, music has played a pivotal role. From singing to playing piano, to listening to his older brother’s and sister’s musical tastes, Boogie has been influenced by many different genres of music. “I grew up listening to funk music and the early stages of hip hop so what I play is influenced by the music I listened to as a kid. When I went away to college I was introduced to dance music and techno. Since then big named talents like Derrick Carter, Erick Morillo, DJ Dan, Charles Feelgood and some not so big names, such as Jim Thias from Ultimix and X-Mix productions have heavily influenced me.”
Back in 1995, while attending Michigan State University in East Lansing, Boogie and his roommates formed a production company called N-Zone Productions and threw a few small parties. “We started throwing small parties because we were sick of not hearing what we wanted. It was a combination of dance, hip-hop and alternative music. Everyone loved it.” They tried to throw events at the local club Sensations, but were not successful. This is where Boogie met up with Jim, who was the resident DJ at Sensations, and learned a lot from watching him spin every weekend. Financial reason’s made Boogie leave Michigan to go back home to DC where he saved his money to get DJ equipment and become a bedroom DJ.
While in DC, he checked out clubs like Traxx, Buzz and Zei to see the great local DJs that DC has to offer. “Back then I was influenced by DJs like Sam The Man Burns, Scott Henry, Feelgood and my friend DJ James at Zei. I wanted to spin in those venues but never thought I was good enough until James gave me a few guest opportunities.” Soon after then, Boogie got in contact with one of the founders of N-Zone Productions, Vince Martinez and they decided to move to Austin, TX to start a record label. Unfortunately, due to financial problems, this dream was never achieved but in the process he met up with Audio Tripp Productions to get his first break in Austin. As one of the top two DJs in Audio Tripp, Boogie was able to get gigs along side the likes of Markie, Soul Slinger, TC Islam, Bam Bam, DJ Funk, Donald Glaude, Feelgood, Josh Wink, Derrick Carter, Angel Alanis, Colette, Dieselboy, Dave Aude, DJ P and Craze.
Since then, Boogie has captivated dance floors around Texas with his banging funky house sets. He has a unique relationship with his audience as he communicates with them in ways that most DJs don’t pay attention to. A track isn’t just a track with Boogie it’s a tool. And hearing him live bears witness to that. Its best to say that his style of house is “music you uncontrollably shake your butt to.” Even Boogie is known to get his groove on behind the decks. “I play music that I want to dance to. If I don’t want to dance to it, why should I expect anyone else to?”
Petey Pablo - Get Me Out Of Jail (Boogie's Funk mix)
http://soundcloud.com/boogiemonster17/peteypablo-getmeoutofjail-boogies-funkmix
Damn Those Kids Made My Night mix (2001 house mix)
http://soundcloud.com/boogiemonster17/boogiemonster-damn-those-kids-made-my-night-2001 
[Edited 4/1/2011 4:24:11 AM ]
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| 3/29/2011 11:55:44 AM |
Super Fly Space City Disco PimPn!-Houston, TX |
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theboss12
Houston, TX
age: 21
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hi whusup thx u for inviting me but i won't be available 4 this party but thx u again
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| 3/29/2011 4:07:22 PM |
Super Fly Space City Disco PimPn!-Houston, TX |
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edward60tpi
Humble, TX
age: 36
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The Event links and flier links aren't working here on D.H. For more info Search Facebook or HOUSTON BEATS for Super Fly Space City Disco PimPn!
Guys VERY IMPORTANT BRING A FEMALE WITH YOU!! COULD BE A FRIEND COUSIN NEIGHBOR I DON'T CARE BUT YOU NEED TO KNOW I DON'T HOST SAUSAGE FESTS. ALSO VERY IMPORTANT!! DRESS TO IMPRESS THE LADIES!!
NO GE ED UP VIBES @ OUR EVENTS SO LEAVE THE THUG VIBES @ HOME! INSTEAD TRY FOR THIS EVENT TO ROLL LIKE A MACK! THIS CAN BE A GREAT THEME PARTY & MEET & GREET SO LETS MAKE IT THAT WAY! NOW WHOS GOT A SUPERFLY SUIT ON STAND BY FOR THESE LADIES OF D.H.?? POST A PIC!
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| 3/29/2011 4:24:45 PM |
Super Fly Space City Disco PimPn!-Houston, TX |
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goddess_aeiris
Humble, TX
age: 29
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I Feel ya Disco! No Thug vibes Tolerated! This is for the Ladies!! Thanks for adding the Bring a LADY RULE! Ladies search Facebook For Super fly Space City Disco PimPn..or www.TexasGrooveNexus.com ALSO DISCOUNT TICKETS CAN BE FOUND @ www.GrooveTickets.com Just Search the party title again!  Info can also be found @Myspace.com/RevolutionsEntertainment
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| 3/30/2011 7:06:39 AM |
Super Fly Space City Disco PimPn!-Houston, TX |
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ddia
Humble, TX
age: 44
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I can't make this party... going to Vegas this weekend, but for sure next time.
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| 3/30/2011 2:39:38 PM |
Super Fly Space City Disco PimPn!-Houston, TX |
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edward60tpi
Humble, TX
age: 36
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Sounds sweet! You have a good weekend!! I need to post pic's of my last Vegas trip..I can't wait to go back! 
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| 4/1/2011 4:26:14 AM |
Super Fly Space City Disco PimPn!-Houston, TX |
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edward60tpi
Humble, TX
age: 36
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(THIS EVENT SHOULD BE NO LESS THAN $30.00! SO YOUR ALL GETTIN A REAL TREAT HERE TRUST ME THIS TALENT LINE UP IS EPIC)!!
NOW BEFORE YOU GO ANY FURTHER!! I'M GONNA TAKE YOU BACK & LET YOU KNOW WHERE IT ALL BEGAN!!
OK PARTY PEOPLE IN THE HOUSE!! TIME FOR SOME OF YOU TO GET SOME SCHOOLING!!!!!! READ THIS AND PLEASE JOIN ALL OF US ON THIS HISTORIC NITE... AS IN OUR OWN WAY WE TAKE THIS BACK TO WHERE IT ALL BEGAN!!
The term "house music" may have its origin from a Chicago nightclub called The Warehouse which existed from 1977 to 1983.[9] The Warehouse was patronized primarily by gay black and Latino men,[3] who came to dance to disco music played by the club's resident DJ, Frankie Knuckles, and then followed him to his new club, The Powerhouse, in 1983.[10] In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!", and then everybody laughed.[11] South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.[12] Farley Jackmaster Funk was quoted as saying "In 1982, I was DJing at a club called The Playground and there was this kid named Leonard 'Remix' Roy who was a DJ at a rival club called The Rink. He came over to my club one night, and into the DJ booth and said to me, 'I've got the gimmick that's gonna take all the people out of your club and into mine - it's called House music.' Now, where he got that name from or what made him think of it I don't know, so the answer lies with him."[13]
Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music.[14] However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labeling records at the Imports Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub were labeled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.[15]
Larry Heard, a.k.a. "Mr. Fingers", claims[citation needed] that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.[16]
Juan Atkins, an originator of Detroit techno music, claims the term "house" reflected the exclusive association of particular tracks with particular DJs; those tracks were their "house" records (much like a restaurant might have a "house" salad dressing).[17]
[edit] Chicago years: early 1980s – late 1980s
Main article: Chicago house
An honorary street sign in Chicago for house music and Frankie Knuckles.
In the early 1980s, Chicago club & radio DJs were playing various styles of dance music, including older disco records, newer Italo Disco, hip hop and electro funk tracks, as well as electronic pop music by Kraftwerk, and recent danceable R&B productions in the genre now known as boogie. Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation.
Starting in 1984, some of these DJs, inspired by Jesse Saunders' success with "On and On", tried their hand at producing and releasing original compositions. These compositions used newly affordable electronic instruments to emulate not just Saunders' song, but the edited, enhanced styles of disco and other dance music they already favored. By 1985, although the exact origins of the term are debated, "house music" encompassed these locally-produced recordings. Subgenres of house, including deep house and acid house, quickly emerged and gained traction.
Club play from pioneering DJs like Ron Hardy and Lil Louis, local dance music record shops such as Importes, etc, State Street Records, Loop Records and Gramaphone, and the popular Hot Mix 5 shows on radio station WBMX-FM helped popularize house music in Chicago and among visiting DJs & producers from Detroit. Trax Records and DJ International Records, local labels with wider distribution, helped popularize house music outside of Chicago. One house tune called "Move Your Body" by Marshall Jefferson made house music known outside of Chicago and was called "the house music anthem" by many, and was featured in the 2005 video game "Grand Theft Auto: San Andreas" on the ingame radio station "SF-UR". By 1986, UK labels were releasing house music, and starting in 1987, house tracks by Chicago and Detroit DJs and producers, such as Steve Hurley, Farley Jackmaster Funk, Larry Heard, Derrick May and Kevin Saunderson were appearing on and even topping the UK charts.
[edit] Lyrical themes
House also had an influence of relaying political messages to people who were considered to be outcasts of society. It appealed to those who didn't fit into mainstream American society and was especially celebrated by many black males. Frankie Knuckles made a good comparison of house saying it was like "church for people who have fallen from grace" and Marshall Jefferson compared it to "old-time religion in the way that people just get happy and screamin'" (30). Deep house was similar to many of the messages of freedom for the black community. Both house CDs by Joe Smooth, "Promised Land" and Db "I Have a Dream" give similar messages of Martin Luther King's "I Have a Dream" speech."Someday" by CeCe Rogers, would move house further into the gospel stream later titled "gospel house". House was also very sexual and had much mystic in it. It went so far as to have an "eroto-mystic delirium" (31). Jamie Principle's "Baby Wants to Ride" begins in a prayer but surprisingly is about a dominatrix who seduces a man to "ride" her through the rest of the song. Well thats enough history for you tonite I HOPE TO SEE ALL OF YOU THIS SATURDAY! WE LOVE ALL OF YOU.
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| 4/1/2011 4:32:33 AM |
Super Fly Space City Disco PimPn!-Houston, TX |
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goddess_aeiris
Humble, TX
age: 29
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School'em DISCO LOL! The PLACE IS LOOKIN SUPER FLY I HEAR!
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